This painting was made specifically for an exhibition at @leamingtonstudioartists in which artists were invited to create work in response to T.S. Eliot's poem “The Waste Land”. The exhibition is part of a wider project called Journeys with "The Waste Land", currently on at @the_herbert_cov , @coventry_cathedral and organised by the @mead_gallery , Coventry. Also shown at @turnercontemporary. There have been a variety of fantastic events to do with the project - all of them delving into the mind of T.S. Eliot and the contemporary relevance of his poem today.
My painting is currently on exhibition at East Lodge Gallery, Leamington Spa the headquarters of Leamington Studio Artists. The exhibition is a fascinating treat with a variety of artists interpretations of the poem.
Artwork description tag:
“What are the roots that clutch, what branches grow
Out of this stony rubbish?”
For me the poem is a potent reflection of the years that followed the Great War. The feelings that come with war still evident in the human fabric of everyday life- disillusionment, anger, lamentation. I doubt many could escape the trauma of this period and I think such events hang heavy over the poem.
My painting is meant to be ambiguous, it isn’t a direct representation but rather a disorientated and fragmented vision; much like that of the The Waste Land itself. It has no focal point or real composition and the frantic nature and bleak earthy tones signify the state in which Eliot found himself in. If I’d have to associate something with the painting, it’d be the grotesque nature of war. Maybe one could see it as a trench, or of collapsed earth and rubble. The only promise is a hint of muddied blue- possibly a window of hope and rebirth.
Karen Parker - producer and curator of Response to “The Waste Land”
What made you want to organise an exhibition like this at Leamington Studio Artists?
“I was involved in the community curating project for Journeys with "The Waste Land" in Coventry, a project involving Turner Contemporary in Margate, The Mead and Warwick University, then, with the closure of the Mead, another collaboration with the Herbert Art Gallery & Museum. The project was to curate a major exhibition based on T.S. Eliot's poem "The Waste Land". This was to find already existing works of art that would illustrate in some fashion the ideas and themes prompted by the poem. Margate chose Mental Health and the Sea, amongst others, and Coventry chose Fragmentation and Journeys. In the spirit of community collaboration both venues were encouraged to stage fringe events to further inform the exhibition and I thought a celebration of new works inspired by the poem would be interesting. I approached LSA to see if they would support my idea and then went on from there.”
For you as the curator, what were the biggest challenges you faced?
“Not having any idea how many would enter the competition, how many pieces of work I would have to hang, minimal prior knowledge of what was coming! Scary but exciting and challenging.”
What do you want audiences to take away with them after seeing this exhibition?
“I want audiences to see the diversity of talent and the possible connections with Art and Poetry, to be inspired to read T.S. Eliot and others and to see the quality of local artists.”
What have you enjoyed most about the project so far?
“Well having been anxious as to what would actually appear on submission day I have to say it was an exciting challenge to put together the final exhibition, but great fun too.”
What advice would you give aspiring people wanting to become involved in curating and exhibition projects likeJourneys with “The Waste Land”?
“All I can say is give it a go! Look closely at other exhibitions and be open to new ideas.”
What are your plans for the future? Any other exciting projects you’ll be involved in?
“I am curating a wonderful body of work by Bryan B Kelly in Rugby Floor One Gallery next, which is going to be a joy as Bryan's work is so colourful and as far removed from "The Waste Land " as you can get! I am also keen to be involved in Coventry City of Culture as I have seen the benefits for other cities, such as Hull last year, and want the same injection of life and purpose for Coventry.”