Q&A's For Response to "The Waste Land" - Karen Parker, Curator

Response to “The Waste Land”

Questions and Answers:

Karen Parker - producer and curator of Response to “The Waste Land”


What made you want to organise an exhibition like this at Leamington Studio Artists?

“I was involved in the community curating project for Journeys with "The Waste Land" in Coventry, a project involving Turner Contemporary in Margate, The Mead and Warwick University, then, with the closure of the Mead, another collaboration with the Herbert Art Gallery & Museum.  The project was to curate a major exhibition based on T.S. Eliot's poem "The Waste Land".  This was to find already existing works of art that would illustrate in some fashion the ideas and themes prompted by the poem.  Margate chose Mental Health and the Sea, amongst others, and Coventry chose Fragmentation and Journeys.  In the spirit of community collaboration both venues were encouraged to stage fringe events to further inform the exhibition and I thought a celebration of new works inspired by the poem would be interesting.  I approached LSA to see if they would support my idea and then went on from there.”

For you as the curator, what were the biggest challenges you faced?

“Not having any idea how many would enter the competition, how many pieces of work I would have to hang, minimal prior knowledge of what was coming!  Scary but exciting and challenging.”

What do you want audiences to take away with them after seeing this exhibition?

“I want audiences to see the diversity of talent and the possible connections with Art and Poetry, to be inspired to read T.S. Eliot and others and to see the quality of local artists.”

What have you enjoyed most about the project so far?

“Well having been anxious as to what would actually appear on submission day I have to say it was an exciting challenge to put together the final exhibition, but great fun too.”

What advice would you give aspiring people wanting to become involved in curating and exhibition projects likeJourneys with “The Waste Land”?

“All I can say is give it a go!  Look closely at other exhibitions and be open to new ideas.”

What are your plans for the future? Any other exciting projects you’ll be involved in?

“I am curating a wonderful body of work by Bryan B Kelly in Rugby Floor One Gallery next, which is going to be a joy as Bryan's work is so colourful and as far removed from "The Waste Land " as you can get!  I am also keen to be involved in Coventry City of Culture as I have seen the benefits for other cities, such as Hull last year, and want the same injection of life and purpose for Coventry.”

Response to “The Waste Land” - Leamington Studio Artists’ thought provoking exhibition engages local artists with the work of T.S. Eliot



A unique and fascinating exhibition has newly opened at Leamington Studio Artists, Jephson Gardens. The exhibition, titled, Response to “The Waste Land” delves into the seminal work of writer and poet, T.S. Eliot. On until 25th November - all are welcome!

Produced and curated by LSA member and volunteer, Karen Parker, Karen also works at the Mead Gallery, Warwick Arts Centre, where she is heavily involved in the planning team for Journeys with “The Waste Land” - a community research project and exhibition led by Professor Michael Tooby and organised by the Mead Gallery; in collaboration with Turner Contemporary, Margate, the Herbert Art Gallery & Museum, Coventry and Coventry Cathedral. The purpose of the project is to shed light onto the contemporary significance of ‘The Waste Land’, a poem written in 1922 during the aftermath of the First World War. Bringing together knowledge from local communities and gallery curators, the story of T.S. Eliot is shared as well as the power his poem still has on time and place. Noticeable themes are that of journeys, fragmentation, redemption, myth and religion, and the affects of war on our cities - especially Coventry, a city rebuilt from ruin. In a time of great remembrance the project also coincides with the centenary year and armistice of World War One.

The exhibition at LSA’s East Lodge Gallery has been inspired by the project, and in support of this, local artists of all types have been invited to create work using T.S. Eliot’s famous poem as their stimulus. The result is a wonderful array of artwork, each artist forming their very own vision of what ‘The Waste Land’ means to them. There are a variety of styles, media and approaches to suit all tastes; just be sure to visit the exhibition with an open mind!

On organising such a showcase of work, Karen Parker said:

“It was indeed a challenge! Many weeks of discussion, sharing of ideas and thoughts have made the chat within LSA and inside East Lodge Gallery itself, very interesting if not controversial at times. Definitely stimulating though! The work in the exhibition proves this as it is diverse, strange, imaginative, thought provoking and above all beautiful. The range of colour, subject, media and application is amazing, with each piece accompanied by an appropriate reference to the poem or artist statement.”

With £150 in prizes, the LSA Open Exhibition is also a judged competition. The winner will be chosen by independent curator, Prof. Michael Tooby, facilitator of Journeys with “The Waste Land” and someone with close ties to Coventry and the work of T.S. Eliot. The prize-giving reception will be held on Sunday 25th November at 2.30pm, followed by a closing party at Episode Hotel, Leamington Spa from 6pm onwards. Tickets need booking in advance to avoid disappointment. A People’s Choice Award will also be decided so all are encouraged to pop by, get involved, and see this inspiring exhibition for themselves.

Journeys with “The Waste Land” is currently on at the Herbert Art Gallery & Museum, Coventry until 18th November.

For further information on the project visit:

imagine... - Hockney, the Queen and the Royal Peculiar

Really fascinating watch this, David Hockney was asked to create a stain glass window for Westminster Abbey in celebration of the Queen’s 65 years reign. It captures the man himself in the many stages of the project and it’s astonishing seeing how the Barley Studio, specialists in this craft, went about making such a large-scale stain glass window. It looks beautiful, a contemporary and very much Hockney-esque vision inside what is an otherwise ancient and traditional place. I must go see it in person!

imagine... - 2018: Hockney, the Queen and the Royal Peculiar

David Hockneys commission to design a stained-glass window in Westminster Abbey.